![]() ![]() My challenge is a form of dyslexia where my brain “sees” what is written differently. i don’t text (can’t afford the service) but i have joined the “twitters” because i needed to find others interested in elderly abuse and it was the fastest way i could gather info. Having 3 children in their 30’s, i’ve experienced 1st hand the changes in “schooling” especially spelling and vocabulary(knowing the meaning of words). In 2022 a new rendition of Pathless Woods - Night Woods will be a part of Color Factory's new exhibition in Chicago in the Willis Tower.Hi, Julia, the “texting” and “twitting” also a concern of mine. ![]() 'Pathless Woods' was also included in the group exhibition ‘SYNAESTHESIA: What is the taste of the color blue?’ at Building Bridges Art Exchange in partnership with the Art Sci Gallery at UCLA in 2017. 'Pathless Woods' was reinstalled at the Trapholt Museum in Denmark as a part of the 2019 ‘Sense Me’ group exhibition, including works from artists such as Georgia O’Keefe, Jeppe Hein, Olafur Eliasson, and Wassily Kandinsky. Over 300,000 visitors experienced the meditative and joyful experience of 'Pathless Woods' at The Ringling Museum in Sarasota, Florida. The ropes were then hung diagonally across the ceiling of the gallery with the ribbons cascading 18’ down to the floor. Volunteers cut and organized the ribbon, then attached the ribbon to the 120 ropes. Patterson’s associate Kina Park was integral in devising a way to involve over 75 museum volunteers to build the work. Rhee created a light fragrance of pine and fir to remind one of being in the woods after a rainfall. ![]() Patterson also wanted to include a scent that would evoke the feeling of being in a forest. Video of swaying branches, falling rain, and rushing water are projected upon the dense mass of hanging ribbons. Wanting to enhance the senses of sight, sound, and touch as one walked through ‘Pathless Woods’, Patterson collaborated with projection designer Adam Larsen and scent artist Beau Rhee. In listening to the music, she ‘saw’ long, linear lines of blue and green surrounding a red center – an image she created with satin ribbons. One of Patterson’s inspirations for 'Pathless Woods' was composer Michael Gandolfi’s “Garden of Cosmic Speculation”. ![]() As the poem states, there is a "pleasure in the pathless woods”, a certain joy in walking the path that others do not. One is encouraged to find their own path. Mimicking life, the path through the ribbon is at times very clear, and at other times not. The visitor is invited to walk through and interact with the forest of ribbon and multi-media projections. The visitor of ‘Pathless Woods’ leaves the reality of the museum and enters into another a constructed synesthetic experience where the senses are encouraged to overlap. She continues to explore creating synesthetic environments with ‘Pathless Woods’, a process that began with her acclaimed 2013 installation ‘Graced with Light’ at Grace Cathedral in San Francisco. Trained as an architect and theater production designer, this unique combination of senses combines to create an artistic practice, hovering somewhere between the theatrical and the experiential. Patterson has synesthesia, meaning that her sensory perceptions overlap when she hears sound, she sees color. "There is a pleasure in the pathless woods / There is a rapture on the lonely shore" - Lord Byron 'Childe Harold’s Pilgrimage' Pathless Woods is an interactive, site-specific installation, consisting of over 24 miles of multi-colored satin ribbon, projections, music, and scent. ![]()
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